After Impressionism: Inventing Modern Art

Paul Gauguin, Vision of the Sermon (Jacob Wrestling with the Angel), 1888, Scottish National Gallery, Edinburgh

The decades between 1880 and the outbreak of the First World War in 1914 were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. After Impressionism: Inventing Modern Art celebrates the achievements of three giants of the era: Paul Cézanne, Vincent van Gogh and Paul Gauguin and follows the influences they had on younger generations of French artists, on their peers and on wider circles of artists across Europe in Barcelona, Berlin, Brussels and Vienna.

With over a hundred works by artists ranging from Klimt and Kokoschka, Matisse and Picasso to Mondrian and Kandinsky complemented by a selection of sculpture by artists including Rodin and Camille Claudel, the exhibition follows the creation of a new, modern art, free of convention, taking in Expressionism, Cubism and Abstraction.

The exhibition includes some of the most iconic works of art created during these decades. Important loans come to the exhibition from institutions and private collections worldwide including Museum of Modern Art, New York; Musée d’Orsay, Paris; Art Institute of Chicago; Musée Rodin, Paris; National Galleries of Scotland, Edinburgh; Museu Nacional d’Art de Catalunya, Barcelona; Tate; and Wadsworth Atheneum Museum of Art, Hartford, Connecticut.

Nicola Jennings