Lives of the Gods: Divinity in Maya Art
Maya artist, Whistle with the Maize God Emerging from a Fower , Mexico, Late Classic period (A.D. 600–900). Ceramic, pigment. The Metropolitan Museum of Art, New York, The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 (1979.206.728)
In Maya art, the gods are depicted at all stages of life: as infants, as adults at the peak of their maturity and influence, and as they age. The gods could die, and some were born anew, serving as models of regeneration and resilience. In Lives of the Gods: Divinity in Maya Art, rarely seen masterpieces and recent discoveries trace the life cycle of the gods, from the moment of their creation in a sacred mountain to their dazzling transformations as blossoming flowers or fearsome creatures of the night.
Maya artists, who lived in what is now Belize, El Salvador, Guatemala, Honduras, and Mexico, depicted the gods in imaginative ways from the monumental to the miniature—from exquisitely carved, towering sculptures to jade, shell, and obsidian ornaments that adorned kings and queens, connecting them symbolically to supernatural forces. Finely painted ceramics reveal the eventful lives of the gods in rich detail.
Created by master artists of the royal cities of the Classic period (A.D. 250–900) Maya, the nearly 100 landmark works in Lives of the Gods evoke a world in which the divine, human, and natural realms are interconnected and alive.
The website offers links to the audioguide and a booklet of all in-gallery labels.
Dance of the Macaws
In the town of Santa Cruz Verapaz, Guatemala, young dancers perform a mythical story that explains the origins of social institutions and the rationale for religious rituals dedicated to the gods of the earth and the mountains. Ancient artists depicted scenes from related narratives on ceramic vessels, including some vessels in this exhibition. This video shows the Dance of the Macaws, described through the words of members of the dance group, in the Poqomchi’ Maya language.