Neapolitan Crèche

Neapolitan workshop, Crèche, mid-18th century, Art Institute of Chicago. Restricted gifts of Mr. and Mrs. James N. Bay and Linda and Vincent Buonanno and Family; Eloise W. Martin Legacy Fund; restricted gifts of Ruth Ann Gillis and Michael McGuinnis and Mrs. Robert O. Levitt; Charles H. and Mary F. Worcester Collection Fund

The Art Institute of Chicago has once again put on display its fabulous Neapolitan Crèche for the holiday season. This crèche, or Nativity scene, tells the story of Jesus Christ’s birth using more than 200 painted terracotta figures staged in an elaborate environment inspired by 18th-century Naples. The upper register of the crèche contains the main characters of the Nativity—the Holy Family (Mary, Joseph, and Jesus) and the Three Wise Men, along with angels and shepherds. Surrounding them are scenes of Neapolitan daily life, including a raucous tavern, a bucolic pasture, and a street crowded with vendors.

These representations celebrate Naples as a cosmopolitan port city that included people from all walks of life. They also demonstrate the lens of exoticism through which many Europeans viewed visitors from other lands, non-Christians, and people of color. Though Naples had long been home to people from throughout the Islamic world, here they are shown as foreigners, confined to the biblical scene in the upper register and wearing turbans and billowing trousers that contrast with the rustic Neapolitan garb of the figures below.

Enlivening ancient biblical stories with modern costume and scenery is typical in the crèche genre and, more broadly, in European religious art since the Renaissance. By highlighting the vibrant social fabric of Baroque Naples, the crèche invites viewers to witness the miraculous amid the mundane and to delight in the hustle and bustle of everyday life. 


Nicola Jennings